Jay Chou shoots a new play "Counterwar" night market segment to attract crowds


Chairperson Zhou appeared


"Reverse War" takes live pictures

    Jay Chou, who had a busy schedule, flew to Malaysia to continue filming "Reverse War". On the evening of May 11, he appeared in the back alley of Zhongnan District, Qiujie Road. In addition to playing a one-man show as a taxi driver, he also played opposite Liao Qizhi, the owner of a "food stall". Residents in the back alley of Zhongnan District in Kuala Lumpur learned of Mr. Chou’s visit and flocked out to see the superstar’s style. More than 100 people filled the back alley, but this move did not affect Mr. Chou’s good mood. Hearing the screams of fans, he also gave a nod and smile in response to the enthusiastic fans. However, due to the crew coming to set the scene, some food stall employers were unable to open the file to do business, and suffered losses. As a result, they hugged the two superstars who came to the shooting scene and waited for the whole night to see Zhou Dong passing by in a hurry. Nicholas Tse had no part in the scene, so he couldn’t help but vomit bitterness at the scene and shouted: "I thought I could see them, but there was no result!" 

    At 7:50, Zhou Dong, dressed in gray tights, first performed a one-man show with a taxi, and then went to a food stall in the back alley of Zhongnan District to shoot, along with Liao Qizhi. One scene tells the story of Zhou Dong getting up and down a taxi. He was received by the director after only 5 minutes of shooting. As a result, the crew spent nearly 2 hours installing equipment, and Zhou Dong completed the scene in 5 minutes.

    After the taxi show ended, Mr. Zhou walked into the back alley and waited for his seat to be buried. It was not until 8:50 p.m. that he was seen walking quickly to the mobile lounge under the escort of security guards and assistants. After resting in the lounge for an hour and 10 minutes, Mr. Zhou reappeared at 10 p.m. and began filming until the early morning.

More live pictures on the next page!

Officially signed, Evergrande wants to extend its life for three years

(Text/Zhang Zhifeng, Editor/Ma Yuanyuan) The official signing of the contract began, and Xu Jiayin successfully extended Evergrande’s life for three years in one move.

Less than two weeks after the disclosure of the overseas workout agreement, China Evergrande officially signed the agreement with creditors on April 3.

According to the core terms of the restructuring, Evergrande will issue new bonds to replace the original bonds; the new bonds will last for 4 to 12 years, with an annual interest rate of 2% to 7.5%; no interest will be paid for the first 3 years, and interest will be paid at the beginning of the fourth year, paying 0.5% of the principal.

It is worth noting that this does not mean that all foreign creditors support the restructuring plan.

According to the announcement, the members of the special group of creditors who currently signed a restructuring support agreement with Evergrande hold only about 20% and 35% of the total outstanding principal of the existing Evergrande and existing Jingcheng Notes, respectively. The signed agreements are the Group A restructuring support agreement, the Jingcheng restructuring support agreement, and the space-based restructuring support agreement. According to this, the parties agree to cooperate to facilitate the implementation of the proposed restructuring.

Evergrande did not disclose the proportion of creditors who signed the Group C restructuring support agreement. At the same time, the company continued to invite all creditors to join in the announcement.


Evergrande said that it will fully invest in the protection of the building, stabilize the recovery momentum of sales, and gradually return to the right track.

However, this does not mean that Xu Jiayin can rest easy from now on.

According to the observer network previously reported that by the end of 2021, Hengda’s total assets 1.699 trillion yuan, but the total liabilities have reached 1.898 trillion yuan, that is, net assets are – 199 billion yuan.

In addition to the overseas debt that has been restructured this time, the domestic debt issue cannot be ignored.

The announcement shows that the overdue amount of Hengda’s domestic interest-bearing liabilities reached 208.40 billion yuan, the overdue amount of domestic commercial acceptance bills reached 326.30 billion yuan, and the overdue amount of domestic contingent debts reached about 157.30 billion yuan.

As of the end of 2021, the company’s domestic overdue debt totaled 692 billion yuan, and more than half of the domestic creditors have taken legal action.

Evergrande said that its core task for the next three years is to "protect the building" and will strive to maintain the "resumption of work and production" to maintain orderly operations. It is expected that an additional 250 billion yuan to 300 billion yuan of financing will be required.

From the fourth year onward, assuming that the company can resume normal operations and that the old reform projects that have not yet been confirmed as the main implementation entities can continue to be developed, the unleveraged free cash flow is expected to increase gradually.

Evergrande expects to achieve unleveraged free cash flow of about 110 billion yuan to 150 billion yuan annually from 2026 to 2036.

This article is an exclusive manuscript of Observer Network and may not be reproduced without authorization.

Debt is at its peak, and Wang Jianlin is at a critical juncture again

Reporter, Li Huilin, Editor, Tan Lu

Wang Jianlin’s good days were just a few days away, and he had reached a critical juncture again.

Recently, it has been reported that Wanda Group is discussing with major domestic banks the renewal plan of domestic loans to extend the repayment time of the principal of domestic loans.

This move could be seen as a restructuring of its domestic debt.

The IPO of Zhuhai Wanda Commercial Management has been postponed again, and Wang Jianlin’s move has been interpreted as saying that Wanda Group’s funds have been stretched thin.

The market has long been moved by the wind.

Since April, Wanda’s bonds have fallen across the board, and the two US dollar bonds issued at the beginning of the year have hit a record low since their issuance.

In the past two years, the real estate industry has been in a huge shock. Wang Jianlin, who has shed heavy assets and embarked on the road of light assets, has been fortunate to avoid this round of crisis, and even played the role of "white warrior" to rescue his peers. 

However, the listing financing has been fruitless, and Wang Jianlin has been involved in the debt crisis again.

Debt hits

For the IPO of Zhuhai Wanda Commercial Management, Wang Jianlin was originally full of confidence.

Previously, it was agreed with overseas banks to complete the listing before May 8 this year, otherwise Wanda Group would have to repay three offshore loans of $1.30 billion in advance.

At the beginning of this year, the management of Wanda Commercial Management vowed that it would go public in the second quarter. Unexpectedly, there is still no timetable. Since the initial IPO application in 2021, Wanda Commercial Management has submitted its forms three times.

The road to listing was more bumpy than Wang Jianlin had expected.

At an internal meeting half a month ago, he admitted that Wanda Group had encountered periodic difficulties due to the delay in commercial listing.

The difficulties center on the debt pressure, starting with the looming maturity of the two betting agreements.

The aforementioned three offshore loans of $1.30 billion have triggered repayment treaties.

After negotiation, one-third of the participating lenders agreed to waive this clause, and the agreed listing date was postponed to November 30, 2023, pushing the pressure to six months later.

The greater pressure lies with institutional investors.

In 2021, Zhuhai Wanda Commercial Management completed a pre-IPO round of financing of 38 billion yuan, including Zhuhai SASAC, Zheng Yutong family, Country Garden, CITIC Capital, Ant and other consortiums.

If the IPO cannot be completed by the end of 2023, the strategic investor has the right to exercise the right to sell back and request its parent company, Dalian Wanda Commercial Management, to repurchase capital.

The latest bond report shows that by the end of 2022, Dalian Wanda’s short-term borrowings increased by 9 times to 5.046 billion yuan, and non-current liabilities due within one year rose sharply to 68.768 billion yuan, an increase of 3 times year-on-year.

There was a huge amount of potential repurchase money before, and then there was a peak in debt repayment.

According to the data of the Enterprise Early Warning Platform, only Dalian Wanda Commercial Management is the main body, with a total of 6 bonds maturing within one year, the balance is 4.923 billion yuan, and there is a 400 million dollar bond overseas, which will mature in July.

Raise money everywhere

The repayment date is approaching, and Wang Jianlin said that Wanda will not go bankrupt.

He went to various places to discuss cooperation and increase the chips of Zhuhai Wanda Commercial Management’s listing; while "looking for money" everywhere to fill the debt hole. 

Since the beginning of this year, Wang Jianlin has a busy itinerary. From mid-February to mid-March, he traveled to Jilin, Henan, Guizhou and Liaoning provinces within a month to negotiate cultural tourism projects.

(Source: Visual China)

During his business trip, Wang Jianlin met with senior management of banking institutions on several occasions.

In February, he signed cooperation agreements with Harbin Bank and Zhongyuan Bank, and in mid-March he met with the acting chairperson of Shengjing Bank.

Previously, Wang Jianlin has started to prepare domestic and foreign debt financing. In January-February, Dalian Wanda Commercial Management issued two overseas bonds totaling 700 million US dollars; in March, it announced that it plans to issue 2 billion yuan of interbank bonds.

Overall, Dalian Wanda Commercial Management’s external financing capacity is weakening. In the past two years, its financing cash flow has been in a net outflow state, with a net outflow of 30.036 billion yuan in 2022 alone.

The two foreign bonds issued at the beginning of this year have a coupon rate of up to 11%, indicating that financing has become more difficult.

Two months ago, Dalian Wanda Commercial Management also submitted to the Shanghai Stock Exchange to register a 6 billion-sized corporate bond, which was questioned by the China Securities Regulatory Commission and asked to explain the reasons for the continued large-scale negative cash flow of financing activities and evaluate the impact on the bond repayment.

At present, Wanda Commercial Management has not replied yet.

Due to the difficulty of financing, Wang Jianlin turned to pledging and reducing his holdings in listed companies to obtain loans and cash.

In January, Wang Jianlin pledged his 65.04% stake in Wanda Hotels to Temasek Holdings for a loan.

In March, Wang Jianlin has two times to reduce Wanda Film shares, to reduce the closing price of the day, a total of about 1.50 billion yuan.

On April 25, China Resources called it a "rumour" after market news that Wanda’s property division would be acquired by China Resources Land.

Due to concerns about Wanda’s commercial liquidity, in May, Moody’s downgraded the family rating of Wanda Commercial Management Company to "Ba2" and placed it on the downgrade watch list.

This means that Wang Jianlin’s subsequent overseas financing will become more difficult.

False prosperity?

Despite being mired in debt distress, Wang Jianlin’s business portfolio has not been subject to major fluctuations, and Dalian Wanda Commercial Management, as a core asset, has maintained stable performance.

The bond report shows that Dalian Wanda’s commercial management revenue in 2022 was 49.188 billion yuan, an increase of 4.86% year-on-year, mainly due to the growth of the scale of the mall.

By the end of last year, its Wanda Plaza had opened 55 new buildings, with a total of 473 projects and a commercial area of 65.56 million square meters under management.

The revenue pillar of Dalian Wanda Commercial Management, mainly investment property leasing and management, is about 45.10 billion yuan in 2022, contributing 90% of total revenue.

Zhuhai Wanda Commercial Management is an asset-light part spun off from Dalian Wanda Commercial Management. It is also the main listing body that Wang Jianlin is promoting. It is mainly responsible for the operation of Wanda Plaza, earning rental income and merchant operating income. Its cash flow is more stable than development.

As of the end of 2022, Zhuhai Wanda’s total assets 22.886 billion yuan, accounting for a small volume, but accounting for half of the income.

In 2022, its business operations revenue and profit were 27.12 billion yuan and 12.984 billion yuan respectively.

Under the asset-light strategy, the number of Wanda shopping malls is still increasing. As of the end of last year, there were 187 Wanda plazas under construction, with a commercial area of 21.95 million square meters.

Wanda Plaza’s ability to attract investment was once a source of confidence for Wang Jianlin to go public. By the end of 2022, the rental rate of its shops was 98.7%, and the rent collection rate was 100%.

However, whether these dazzling data are false prosperity requires a question mark.

In March, a Wanda employee pointed out that the authenticity of Wanda Commercial Management’s merchant performance, rental rate, passenger flow and other data is questionable. It is said that Wanda implements strict assessment indicators, requiring tenants to seize and attract investment rates to achieve 100%. In the period when the physical business is hit by the epidemic, this is an almost impossible task, and front-line employees can only "fake".

"Although the merchants don’t owe Wanda Group, they owe a lot to the general manager and deputy general manager of the project."

A Wanda employee told 21CBR that in order to meet the rent collection rate targets, some managers sometimes advance the rent for merchants, and then let the merchants pay it back slowly.

An industry insider also pointed out to reporters that it is almost impossible for every shopping mall to achieve a 100% investment rate, especially in some non-central urban business districts, where investment is much more difficult than before.

The reporter’s on-site visit also saw that the rental situation of some Wanda plazas is not ideal, such as Guangzhou Baiyun, Panyu Wanda plaza, many indoor shops are vacant, weekend lunch time, in addition to the dining area, the traffic counting in the mall is not large.

For the authenticity of the financial data, Wanda has not yet replied.

IPG China Chief Economist Bai Wenxi pointed out that companies that usually plan to list in Hong Kong stocks need only 3-6 months from obtaining the acceptance letter from the Securities Supervision Commission to obtaining the approval approval. Previously, there has been no listing cycle for more than half a year due to approval reasons. Zhuhai Wanda Commercial Management has set a record for the slowest overseas listing of private enterprises.

He believes that the possibility of Wanda Commercial Management rushing back to class A shares listing in the future is not ruled out.

It is said that Zhuhai Wanda Commercial Management is still advancing the IPO matter. In accordance with the new regulations of the Securities Supervision Commission, the documents will be updated again in the future. According to the gambling agreement, Wang Jianlin has less than seven months.

Multilingual online celebrity anchor tour desk 2020 Spring Festival Evening rehearsal

  The rehearsal of the 2020 Spring Festival Gala is in full swing. The multilingual online celebrity anchors of the Central Radio and Television General Station will visit the class, and together with Chinese and foreign actors, they will send warm-hearted Chinese New Year greetings to the whole world and convey deep cultural charm.

  Multilingual online celebrity anchors in English, French, Japanese, Tamil, Hebrew, Arabic, Korean, Thai, Lao, Vietnamese, Malay, etc. will present short videos, Vlog, Talk Show, pictures and texts and other new media reports on the Spring Festival Evening in a friendly and authentic way in the mother tongue of the target country, which will be widely released through overseas social media, clients, websites and cooperative media platforms of the target country. Invite.

  At the rehearsal scene of the Spring Festival Evening,Desk English online celebrity anchor YouyouI got to know the members of the dance troupe from Cameroon, and the members rushed to pay a New Year call to netizens around the world in Chinese, and the scene was full of laughter.

  Online celebrity anchors Zhen Zi and Hui Hui at the reception desk.At the scene, I learned African dance and played African drums from Cameroon Dance Company. The head of the delegation told the anchor that their costumes and makeup all originated from life, and their dance movements were original, hoping to share their joy with the world through the stage of the Spring Festival Evening.

  Tamil online celebrity anchor Xiao Xiao and Yi Yi at the reception desk.I brought jiaozi, who just came out of the pot, to the dancers of the Indian Bollywood Dance Company Taj Express, and asked them to taste the "Taste of the Year of China".

  Front desk Japanese online celebrity anchor A sauceI visited China traditional cultural performances such as "Traditional Acrobatics" and "National Instrumental Music" and introduced the story behind the Spring Festival Gala to the Japanese audience.

  Front desk Hebrew online celebrity anchors Xiaoxi.I visited the traditional Chinese opera performance team in the Spring Festival Evening and asked the Beijing Opera performance artists to explain to the Israeli audience "those things about painting faces".

  Alan, the Thai anchor of online celebrity at the reception desk.Experience the viewing effects of 8K and "naked eye 3D" at the rehearsal site.

  Desk Lao online celebrity anchor XiaowanInvite Peking Opera actors to pay a New Year call to the Lao audience.

  Vietnamese at the reception desk, online celebrity, anchor Xiao XiaInvite opera actors to send Chinese New Year greetings to Vietnamese audiences.

  Xiaoye, the anchor of Arabic online celebrity at the reception desk, sent out "New Year greetings" with the children who participated in the rehearsal.

  Online celebrity, the multilingual anchor at the reception desk, is fluent in foreign languages, fresh in image and distinctive in personality, which is both "the target country model" and "the Chinese model" and has become a unique landscape for the live coverage of the Spring Festival Evening.Among them, a number of foreign language anchors in online celebrity, such as A sauce, Xiaoxi, toothpaste and deer, have gained strong social influence and popularity in the target countries, attracting a large number of overseas fans’ attention and praise. The rehearsal scene of the multilingual online celebrity anchor visiting class for the 2020 Spring Festival Evening will bring different excitement to overseas audiences. (CCTV reporter Yuan Qi Ping Jiang)

Zeng Taiyuan | "loong" jumped into the Oxford English Dictionary.

Perhaps it is purely coincidental, but I believe it is intentional, deliberate and then move. In January 2024, on the eve of year of the loong, the Oxford English Dictionary (OED), a treasure house of English words, showed obvious movement, and turned its attention to China again after many years. The English word "loong" awoke from hibernation, opened his eyes and got up, ready to rise.
For the first time in history, Chinese dragon (loong) has been included in the brand English dictionary, and it is also OED, a recognized word authority in the English-speaking world. Chinese dragon has gone through lexicalization, from loose free combination to tight fixed collocation, and it has been loaded into dictionaries and become a justified lexical unit.
Bronze Dragon with Gold Core in Tang Dynasty Collected in Shaanxi History Museum
The voluminous OED published its first edition in 1928, positioning itself as "the most authoritative record of English language". The second edition was launched in 1989, with a total of 20 volumes. After that, three small volumes of Addendum Series of Oxford English Dictionary were published one after another, adding new words and meanings and revising existing contents. In 2000, OED integrated the second edition and the addendum series, and launched a paid online edition. Since then, OED has gone online and updated online every quarter, providing readers with some results of the third edition under editing.
OED was updated in the fourth quarter of 2023 and was not officially launched until January 2024. Among them, the new entry, Chinese dragon, is complete and comprehensive in content, including pronunciation, etymology, definition, documentary evidence (quotation, a written example with a source), cross reference (two words are complementary to each other), and the collection history of entries (time information shows that Chinese dragon was first published in December 2023). Prior to this, Chinese dragon was not included in the traditional brand dictionaries in the English-speaking world, and it was only mentioned in the definitions or examples of other terms at most.
Chinese dragon has two definitions in OED. The first one focuses on the physical entity, which refers to the image or statue of loong, and the second one focuses on the psychological projection, which refers to the animals in China mythology, covering the first definition. The following is the second definition of Chinese dragon, which is rich in content and three-dimensional:
A mythological creature or god associated with China,depicted in a variety of different animal forms but typically as a serpent with four limbs, And symbolizing wisdom, fortune, and power. Also: such a creative viewed as a personification of China or its former empire. (The god beast or spirit related to China is depicted as various animal forms, but it is basically a four-legged snake, symbolizing wisdom, fate and power. In addition, this beast is also regarded as the embodiment of China or the former empire)
OED’s documentary evidence shows that as early as 1754, the Chinese dragon group had appeared in the literature, and the Italian Letter written by Earl Irish aristocracy Orie. The latest documentary evidence is taken from the English Shanghai Daily on August 7, 2013:
The Chinese dragon is the greatest symbol of power and good fortune and no traditional festival is complete without an undetermined dragon dance. (loong is the grandest symbol of power and luck, and traditional festivals are complete only with undulating dragon dances.).
Before Chinese dragon became an independent word, the English translation of "dragon" was generally based on bare dragon. However, the traditional dragon in the West is the embodiment of evil, and its negative image is deeply rooted in people’s hearts. OED defines dragon as follows: "The mythical monster is a giant and terrible reptile, which often combines the body structure of snakes and crocodiles, with strong claws, like beasts or raptors, scales and wings, and can breathe fire sometimes."
Tang Chi Jin Zou Long Shaanxi History Museum
Loong looks like a dragon in the west, but there are key differences. That’s why English adds Chinese decoration in front of dragon to define and distinguish it. This Chinese dragon group appeared in written records in the middle of the 18th century, which indicated that English speakers at that time had realized the differences between loong and Western Dragons.
Loong is different from the Western Dragon, which is clearly reflected in the other two large authoritative dictionaries. One is Webster’s Third Edition New International English Dictionary published in 1961, which is a very large single-volume modern English dictionary published in the United States. Webster’s does not include Chinese dragon, but the definition of dragon gives loong a meaning, saying that it is a beneficial supernatural creation in Chinese mythology connected with rain and floods (a miraculous animal in China mythology, kind and generous, related to rain and floods).
The second is the New Oxford English Dictionary published in 1998, which is a large-scale single-volume modern English dictionary based on corpus, and has nothing to do with OED. Chinese dragon is not included in New Oxford either, but in the definition of dragon, loong’s goodness and auspiciousness are pointed out: in East Asia, the dragon is naturally a beneficial symbol of fertility, associated with water and the treasures. (In East Asia, dragons are mostly kind and generous, symbolizing wealth, which is related to water and heaven).
What these two large authoritative modern English dictionaries reveal is that even though loong has no other entries and is included separately, the semantics of dragon has been divided, which clearly shows that the dragon of western traditional culture is one piece, and the dragon of China traditional culture is another piece, which is related to each other but different. Dictionaries reflect the current situation of language, which means that such cognition has a sufficient mass base in the English world.
Some theorists believe that translating China’s dragon into English is a huge mistake, which must be dealt with seriously and corrected thoroughly. Now, it seems that it is no longer necessary. All kinds of evidence show that dragon can also refer to loong, which is different from the Western Dragon. If there are doubts about semantics and the context is ambiguous, it must be made clear that this dragon is loong, and it can be easily resolved by putting Chinese before Dragon. The literature also shows that Chinese dragon has been used for more than 200 years, and the relevant evidence of various corpora is overwhelming. On the eve of year of the loong, Jiachen was certified and included by OED, so it should be no problem to translate China dragon into Chinese dragon.
Of course, if the English of "long" wants to find another way, it is also a way worth trying with the help of the transliteration of Long. Dragon is one of the core features of Chinese culture, and the English translation of cultural characteristic words is always based on phonetics, which is universally applicable. Transliteration highlights the main body of culture and expresses cultural self-confidence. However, English as a non-native language is not our decision, and it is only effective if it is widely recognized by English speakers. This road is long.
Author: Zeng Taiyuan
Text: Zeng Taiyuan Professor, English Department, Shanghai Sanda University Researcher, Corpus Application and Research Center Photo: Editor: Chen Shaoxu Editor: Li Chunyi
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Jingdezhen Ceramic Research Institute: Building a New Platform for Foreign Cultural Exchanges and Adding New Force to International Economic and Trade Cooperation

  Cctv news  Ceramics is an important business card of Chinese civilization and an outstanding representative of China’s excellent traditional culture. Jingdezhen is famous for its Millennium porcelain capital and the main starting point of the Maritime Silk Road, and has become an important bridge to promote the exchange and mutual learning of world civilizations and continuous progress. 

  The new era gives a new mission, and the new journey calls for new actions. With the establishment of relevant institutions in Jingdezhen National Ceramic Culture Heritage and Innovation Experimental Zone, the first stop of Jingdezhen Ceramic Research Institute has taken a solid step in foreign cultural communication and exchange.

  In order to further promote the ceramic culture, tell the story of China, and create a new platform for Jingdezhen ceramic culture to exchange and display with other countries. On December 23rd, a media meeting was held in Nantong for the "China Nantong First Centennial Jingdezhen Famous Ceramics Exquisite Exhibition" (hereinafter referred to as the "Exhibition") co-sponsored by Jingdezhen Ceramic Research Institute, Nantong Jinshitang Herbal Technology Co., Ltd. and Jingdezhen Famous Ceramics Research and Production Center.

  The exhibition will be held in the exhibition hall of Nantong Newspaper Media Group from December 25, 2021 to January 23, 2022, and will focus on the inheritance and innovation of Jingdezhen ceramic art in the past 100 years.

  Yin Guoguang, former secretary of Jingdezhen Municipal Party Committee and former vice chairman of Jiangxi Provincial Political Consultative Conference, said in his speech that this exhibition is a fine, comprehensive, more artistic and highly collectible exhibition in Jingdezhen’s previous exhibitions at home and abroad, which will make ceramic lovers in the Yangtze River Delta and at home and abroad know more about the quintessence of Chinese art and Jingdezhen.

  According to reports, more than 300 exhibited ceramic works recommended by Jingdezhen Ceramic Research Institute are artistic, collectible, scientific and practical. It is worth mentioning that this exhibition not only has ceramics, but also nearly a thousand pieces (sets) of Jingdezhen’s unique artistic furnishings porcelain, tableware and tea sets appeared at the exhibition site, and Qi Li created a cultural feast that people can’t forget.

  Wu Lang, Party Secretary and President of Jingdezhen Ceramic Research Institute, said that the exhibition aims to promote ceramic culture, strengthen and promote cultural exchanges between Nantong and Jingdezhen, and enrich the cultural life of Nantong citizens. At present, Jingdezhen is committed to promoting cultural and international exchanges, economic and trade cooperation, and creating a new brand of cultural exchanges. Jingdezhen will become an international porcelain capital that will let the world know China and Jiangxi.

  Porcelain is the root vein of Jingdezhen, the Millennium porcelain capital. Jingdezhen ceramic artists interpret the charm of the collision between "earth" and "fire" with unique language and the core of the times, and show the elegance of contemporary Jingdezhen ceramics to the world with exquisite skills and dedication, so that more people can hear, see and feel the prosperity and development of ceramic art in the Millennium porcelain capital through this exhibition.