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The Four Heavenly Kings of Di Renjie

1905 movie network news Tsui Hark’s latest masterpiece "The Four Kings of Di Renjie" is now in the hot release, and the most "cool" blockbuster has swept the country. Today, the film exposed a special special effect, revealing the story of the birth of "White Ape, Jumboga and the King of Angry Eyes" which impressed the audience in the whole spectacle, and showing the advanced course of shocking visual effects from director Tsui Hark’s brain hole to his manuscript and then to the big screen. A group of staff from six teams in China, Japan and South Korea worked together to restore Tsui Hark’s oriental imagination by adopting the most advanced film industry technology. The special effects team said that the director not only maintained a high level of creation, but also knew the technology like the back of his hand, participated in the whole process and had high requirements. This set of imaginative feast with "Tsui Hark’s typical style" made the audience feel "cool!" "Shocking!" Adjectives such as these are endless, and some viewers said: "There are only two words when watching a movie: enjoy!" There are also fans who feel: "Tsui Hark has built a surreal movie space in many-hued with his unconstrained style and crazy special effects technology." "This is the special effects blockbuster that China movies should have!" The movie is showing, so the audience can buy tickets at any time and feel the most shocking movie-watching experience this summer! It is worth mentioning that there are three eggs at the end of the film, so don’t miss it.

Today, the film released a special special effect for the audience to reveal the ideas behind director Tsui Hark’s wonderful scenes such as Zhan Boga’s raid on Dali Temple and the white ape’s battle with the angry king. At the same time, it exposes the process of film special effects from the director’s imagination to the initial presentation in his manuscript, and finally to the shocking and exciting experience for the audience on the big screen. All the amazing special effects experience in the film originated from director Tsui Hark’s imaginative brain hole and was presented with the help of advanced film industry technology. For the cooperation with director Tsui Hark, the special effects team admitted that he not only participated in the whole process, but also had high requirements. "After reading the script, he can put forward new questions and ideas with a little thinking, and his insights are completely higher than ours. We are also surprised to have such a high-level director who knows all about technology. "

The special effects team restored director Tsui Hark’s unique imagination with superb technology. The special effects team in charge of the white ape said: "The white ape in the film is very different from King Kong in Hollywood. Its hair is more dense and supple, with Asian characteristics and oriental attributes." The team responsible for the scene of the resurrection of Jinlong said: "It is difficult to be true, so we have been doing various experiments with trepidation." Directed by Tsui Hark, in view of the fantastic spectacle in the film, he said: "Seeing these wonders in the case has real possibilities, and we all look for possibilities from the real world." The special effects team revealed: "The director should not only embody the simple magic, but also have a sense of science. He needs to have practical basis and make scientific effects on beautiful pictures." At the same time, he said with a smile: "This has made our technicians spend a lot of brains." For the unprecedented visual experience of the third film, the special effects team said: "It has been five years since the second film of Di Renjie, and the special effects industry has also progressed to a very developed stage. We will show the progress in the past five years in the third film."　

In addition to the stunning visual and soul-stirring special effects animation in the film, the excellent 3D stereoscopic effect of The Four Kings of Di Renjie also allows fans to gain a good experience through the big screen, and the team behind it is all from China. Director Tsui Hark said that the 3D special effects of the film were completely completed by China’s team, and there were only a dozen people. "In fact, when shooting a 3D film, our stereoscopic shooting effect is better, because we have rich experience and our technology has been at the forefront."

"The Four Heavenly Kings of Di Renjie" continued to be shown in the country, and the dazzling special effects in the film left a deep impression on the audience: "Let the audience really feel the immersive feeling that you will want to avoid it when you cut a knife at someone." This summer, the third part of Di Renjie series came back with "Five Visual Wonders" to entertain the audience. Many viewers lamented: "The special effects are rich in cry, and they are all stabbed in front of their eyes, cool!" Some fans even said: "Di Renjie series can make the audience clearly find that both imagination and visual effects have shown a step-by-step leap." Some viewers bluntly said: "In this movie, all the so-called amazing visual effects are by no means random money-burning techniques."

For the charming characters in the film and the fantastic Di Renjie world, some insiders analyzed: "Di Renjie’s series of films represent our highest level of film industrialization, with both the core of oriental culture and visual effects comparable to Hollywood’s top production standards, so that the oriental story with fantasy elements can be realized through technology and brain holes." Some viewers even felt: "Tsui Hark is the first person who deserves special effects in Chinese movies!" Some fans commented: "There are few works in Chinese films that are imaginative, visually effective and well handled. Tsui Hark’s films are one." "Behind every extraordinary picture, it is not simply to show off skills, but to serve the plot." After watching the movie, the audience were amazed at Tsui Hark’s persistent pursuit of film technology: "Tsui Hark, who continues to create new special effects for Chinese films, has influenced the trajectory and course of Chinese films to some extent."

The film "The Four Kings of Di Renjie" is being shown continuously.

There are five styles: large, medium and large cars,,,. There are (|||) models, among which there are (|| |) models, 718 models for sports cars, (|| |) models for medium-sized and large-sized vehicles, and (|| |) models for medium-sized SUVs. Want to know more, let Xiaobian introduce the complete series and price of Porsche models.

Porsche Model Series and Price

1.(||) Guide price: 545.0-986,000 yuan.

2.(||) Guide price: 12.65-2.473 million yuan.

3.Taycan guide price: 88.80-1.798 million yuan.

4.Panamera guide price: 97.30-2.458 million yuan.

5.Macan guide price: 545,000-925,000 yuan.

6. Guiding price: 913,000-1,908,000 yuan.

1. Porsche 718

Guide price: 545-986,000 yuan.

As an entry-level Porsche sports car, the guide price of Porsche 718 is 54.50-986,000 yuan. It seems that Porsche 718 was born to pick up girls. From the interior alone, it is not as luxurious as (||). But in terms of driving comfort, the chassis, steering feeling and braking feeling of this car have nothing to do with this luxury sports car.

2. Porsche 911

Guide price: 1.265 million-2.473 million yuan.

As the eldest brother, Porsche 911, its guide price is 1.265 million-2.473 million yuan, and the starting price of 1.265 million yuan is not comparable to that of Porsche 718. Its reputation is so great that it is a model that men can’t reach. Strong operational performance, beautiful appearance, gradually becoming perfect, known as the symbol of industry.

3. Taikang

Guide price: 88.80-1.798 million yuan.

As a pure electric Porsche, its guide price is 88.80-1.798 million yuan. Taycan controls the center console of the whole vehicle through the central control touch screen, which is very avant-garde and full of science and technology. But it should be bad news for old drivers who don’t have a shift lever. Generally speaking, the motivation is not diminished, so don’t worry about Taycan ruining Porsche’s good impression.

4、Panamera

Guide price: 973,000-2,458,000 yuan.

Porsche Panamera is a unique large hatchback with a guide price of 9730-2.458 million yuan. Panamera’s carriage follows the classic layout of Porsche, equipped with 2.9T V6 and 4.0T V8 engines. The fastest acceleration of 100 meters takes only 3.1 seconds, and it has two driving forms: front and rear drive and front four-wheel drive.

5、Macan

Guide price: 5.45-925 million yuan.

The guide price of Porsche Macan is 545,000-92,500 yuan. As a medium-sized suv, it was developed with as little investment as possible. However, Porsche Macan is very unpopular with people who eat melons, and even Macan’s father Porsche is despised. Even the exquisite adjustment technology of Porsche engineers can’t change its despised status.

6. Cayenne

Guide price: 913,000-1,908,000 yuan.

Porsche Cayenne, as the first medium and large suv under Porsche, once saved Porsche in from the mire, with a guide price of 913,000-1,908,000 yuan. As a high-end luxury suv, its popularity is very high, and it is loved by riders from all walks of life and all ages, but its price is expensive and beyond the reach of ordinary people. Now, in order to keep up with the times, a new hybrid version has been introduced.

This is the complete range and price of Porsche models. I believe everyone knows something about the brand Porsche. Most of such luxury cars were available when you were born, but not when you were born. I’m afraid it’s hard to have them in this life. I’m afraid it’s a model that countless people dream of but can’t get.

The above is a complete collection of Porsche models and prices. Porsche 6 models are expensive (the guide price of entry-level sports car 718 is 54.50-986,000 yuan).

　　[car home’s overseas spy photos] Recently, we obtained a set of spy photos of (|) successors from foreign media. The car is positioned higher than the DB12, and will become the new generation flagship GT sports car in aston martin. The name of the car has not yet been determined. It is expected to be equipped with a 5.2T V12 engine, which is comparable to the successor of Ferrari 812. The maximum power is expected to exceed 770 horsepower and is expected to be released in August.

　　Friendly reminder:I hope enthusiastic netizens can photograph the spy photos of your new car and send them to our corresponding mailbox: diezhao@autohome.com.cn. I look forward to your letter and become a member of the "spy".

　　Appearance, the new car will adopt a brand-new headlight group, and continue the DBS’s large mouth mesh shape, which can provide sufficient air intake and heat dissipation for the huge V12 engine. The engine compartment cover is covered with two black cover plates, and it is expected that there will be vents in the future, so that air flows in from the middle net and out from the engine compartment cover for better heat dissipation.

　　From the side of the car body, the new car still continues the smooth lines of DBS, showing the elegant temperament of the flagship GT, and the new blackened multi-spoke rim is also very delicate. From the rear, the new car is equipped with a C-shaped taillight similar to the DB12 and has a fixed spoiler. However, the angle of this spoiler looks too vertical and the shape is abrupt, so it should not be the final design. In addition, the rear of the car is equipped with a total of four exhaust pipes and diffusers on both sides, further embodying its sports attributes.

　　In terms of power, the new car is expected to follow the 5.2T V12 engine of the current DBS, but the power will be improved. The current DBS 770 Ultimate has a maximum power of 770 HP, and the power of DBS successor should be higher than this car. We will continue to pay attention to more news about the new car. (Source: autocar；; Compile/car home Yan Huan)

　　Ne Zha, who once caused a controversy because of her "ugly shape", became an explosion in this summer’s summer file after uncovering the true face of Lushan Mountain. The film will be released this Friday, but the box office at 10 o’clock has exceeded 60 million yuan.

　　"Ugly Nezha" turned over against the wind, which is the normal way to open a classic character prototype — — The reason why the "classics" have the energy to survive lies in the fact that the historical heritage is constantly infused with the current vitality. "Who moved our Nezha" is not a problem.

　　In 1979, Shanghai Film Studio released "Where is the Sea?" The climax of the conflict in the film was that the boy in white committed suicide in the torrential rain: "Dad, I’ll give you back my flesh and blood, so I won’t bother you." Since then, this hopeless teenager who mingled with the bottom people and resisted patriarchy and authoritarianism has been deeply rooted in the hearts of the people. So few people realize that Nezha, full of romantic feelings, is a "new story" role. On the contrary, Ne Zha gave the protagonist an ugly and mixed black history, and returned to the source of the characters.

　　To clarify the evolution of Nezha’s image, we must start with his father. The well-known "King Tota Li Tian" is a folk interpretation that forcibly binds Li Jing and King Tota, two irrelevant figures. Li Jing was a founding star of the Tang Dynasty. In the legend of the Tang Dynasty, he was also called "the three heroes of the dust" with the campus guest and Hong Fu. The scientific name of King Tota is the King of Vishamen, and he is one of the four kings in Buddhist scriptures. In the early Tang Dynasty, Buddhist countries in the western regions in Khotan (now Hotan, Xinjiang) began to believe in Vishamen Heavenly King, and this belief was introduced to the Central Plains. As a result of sinicization, Vishamen Heavenly King of Tota left the "Big Four" and became a deity who was worshipped separately. In the Water Margin, Lin Chong was wronged and demoted, guarding the Heavenly King Hall, where the "Heavenly King" was the Vishamun who flew solo.

　　According to Buddhist scriptures, Nezha is the son of the King of Vishamun. In the battle, Nezha not only helped Torre Tota, but also helped his father lead an army of hags, so he was nicknamed "Ghost King" and "General Hag". In the religious books of the Tang Dynasty, Nezha was described as "evil seeing everywhere", which had nothing to do with beautiful teenagers. In the Yuan Dynasty’s "A Complete Book of Searching for Gods from the Origins of Three Religions", Nezha is six feet tall, which is 20 meters high according to today’s measurement. At the end of Yuan Dynasty, Luo Guanzhong wrote "Three Sui Ping Yao Biography", and Nezha "three heads are like three green hills, and six arms are like six mountains. When he opens his mouth, blood splashes out four fangs".

　　Nezha in Buddhist legend is a giant god who makes the three realms peaceful, but he understands Buddhism and becomes a god on the premise that he returns his flesh and blood to his parents. The position of this story is in conflict with the filial piety advocated by Confucianism. With the sinicization of Buddhism, the origin of Nezha has been constantly embellished. Su Dongpo’s younger brother, Su Zhe, wrote a poem "Poems of Nezha": The king of the north has a crazy son who only worships Buddha but not his father. The Buddha knows its folly, but the pagoda makes the father raise it with his left hand. Children come to see the Buddha’s head and bow down, which is slightly similar to worshipping Buddha. This poem contains a lot of information. In order to get rid of the suspicion of "unfilial", Buddhism defined Nezha as crazy and stupid, while the Buddha painstakingly juggled between father and son, and came up with a method of "Tota" to make him worship Buddha like his father. In a word, Buddha is filial piety.

　　When Wu Cheng’en wrote about The Journey to the West, he expanded Su Zhe’s poem into Tathagata as an old aunt: "Nezha cut the flesh and gave it back to his mother, eviscerated the bones and gave it back to his father, with a little soul, and went to the western paradise to tell the Buddha. The Buddha used the lotus root as a bone and the lotus leaf as a garment, and read the mantra of coming back to life, so Nezha got his life. Later, he wanted to kill the heavenly king and avenge the evisceration. The heavenly king was helpless and begged the Tathagata. If the Tathagata values harmony, he will be given a golden pagoda with exquisite Buddhist relics. There are buddhas on the pagoda, and Nezha will be asked to take the Buddha as his father, thus settling his grievances. "

　　Wu Cheng’en’s The Journey to the West is about the works of Jiajing period. After two generations, in the Wanli period, the story of Nezha was rewritten in the Book of Gods. Borrowing the design of Hong Haier in The Journey to the West, the author designed Nezha as a beautiful young man, and the scene of Nezha’s resurrection from the lotus was given to Taiyi, transforming a Buddhist prototype into a Taoist child.

　　The "three sons of Chen Tang Guan" in the list of gods is not a good crop. When he took a bath, he disagreed with the sea patrol hag and killed the other party; Ao Bing looked for his theory and was skinned and cramped; The old dragon king was so angry that he went to the imperial court and was beaten outside Tianmen. "My father is the master of a town. I took a bath here in the summer, and the hag came to scold me. I killed him, but it’s no harm. " "I was impatient, then killed him two lives, is also a small matter. Even if you, an old fool, were killed, you might as well do something. " A few lives, but now he is a "might as well". The old dragon king asked him to pay for his life, and he committed suicide in Chentangguan, which, to some extent, also brought him consequences. Of course, in order to make up for him, the list of gods wrote, "This child was born in an ugly time, and the principal offender killed the ring." In ancient times, social unrest inevitably led to civil catastrophe. Novelists, though vaguely aware of this law, lacked philosophical speculation, and created characters like "weapons of mass destruction". Nezha was such a person.

　　The context is more important than the plot in the transformation and restatement of the classics, which is a clear example. China society, which has experienced a tortuous process of modernity, no longer needs an "evil spirit" of Machamp, nor is it entangled in the balance between deity and filial piety, so the plot of deja vu has evolved into a new spirit. In order to echo the history of China in the first half of the 20th century, Nezha became a "rebel" who broke away from his family. The fuse of his departure was to stand on the side of most suffering and fight against the arrogant and extravagant dignitaries. He went through all the robbery, completely cut off relations with his hypocritical father and went to the people.

　　Tracing back to the source, the beautiful and pure painting style of "Where is the Sea" is the real subversive, but the ugly "magic boy" is the "evil spirit" who returned after leaving for half a year, returning to the fierceness of this prototype and bringing back the proposition of fatherly kindness and filial piety. As for "children with love education and transformation problems", "my choice determines what kind of person I become" and "my fate is not determined by the sky", all these are the new themes of contemporary pop culture. ■ Our reporter Liu Qing